摘要
自然美在阿多诺的美学思想中发挥着瓦解同一性美学的重要作用。要清晰地把握阿多诺的自然美思想,需要理解其非同一性哲学立场与论说文写作技术的统一。其非同一性哲学的立场呼唤着通过一种新的语言表述方式把握非同一性对象,而论说文则通过“星丛”式的结构承担起言说非同一性对象的责任。在此基础上重审阿多诺的自然美思想,则能让我们更为深入地理解传统同一性美学所面临的主体对自然美的遏制这一困境,以及阿多诺何以通过对艺术作品的分析把握自然美的星丛架构,最终又是为何以及如何通过批判黑格尔的自然美思想从而充分践行其在历史的传承中释放非同一性对象的诉求。
Natural beauty plays an important role in Adorno’s aesthetic thought in disintegrating the aesthetics of identity.To clearly grasp Adorno’s thought of natural beauty,we need to understand the unity of his philosophical stand of non-identity and the writing technology of essay.His position of nonidentity philosophy calls for grasping the non-identity object through a new way of language expression,while essay takes the responsibility of speaking the nonidentity object through the“constellation”structure.On this basis,reviewing Adorno’s thought of natural beauty will enable us to have a deeper understanding of the dilemma of the subject’s containment of natural beauty faced by traditional identity aesthetics,and why Adorno grasps the constellation structure of natural beauty through the analysis of artistic works,and finally why and how to fully practice his appeal of releasing non-identical objects in the historical inheritance by criticizing Hegel’s thought of natural beauty.
