摘要
2019年春节档电影《流浪地球》通过对"末日情境"的设置,为一种具有"新天下"话语特征的秩序创造了合法性的土壤,却也引发了广泛而激烈的舆论争议。近年来,在中国的媒介文化场域,类似指向"新天下秩序"的价值论述呈现出较为明显的增长态势;在此基础上,一种可被具名为"新大国叙事"的媒介叙事范式亦渐趋成型,力求开辟出一条更适合后全球化时代语境的、富于兼容性与共在性的价值表述路径。
By setting up the'doomsday situation',the movie'The Wandering Earth'creates the soil of legitimacy for an order with the discourse characteristics of'the new world',but it also causeswidespread and intense public opinion controversy.In recent years,in the field of media culture in China,similar value statements pointing to the'new world order'have shown an obvious growth trend.On this basis,a media narrative paradigm named'new power narration'is gradually taking shape,and strives to open up a more suitable value expression path with compatibility and coexistence in the context of the post-globalization era.
出处
《探索与争鸣》
CSSCI
北大核心
2019年第3期73-80,142-143,145,共10页
Exploration and Free Views
基金
国家社科基金一般项目"移动互联网语境下综艺娱乐节目文化价值建构研究"(17BC053)
关键词
末日时代
新天下秩序
《流浪地球》
新大国叙事
doomsday era
new world order
The Wandering Earth
new great nation narrative
