摘要
吐峪沟石窟是吐鲁番地区开凿最早的石窟群,该石窟壁画中所遗留的坐具虽不多,却是古代高昌王国物质文化和社会生活的反映。本文试图借助图像学的方法通过对吐峪沟石窟壁画中方形佛座、筌蹄、禅床等坐具的分析来探讨吐峪沟石窟中的文化因素。方形佛座与龟兹石窟壁画中的佛座在造型、装饰上如出一辙。筌蹄是佛悟道之前的坐具,吐峪沟石窟壁画中的筌蹄比较瘦长,人物的坐姿与龟兹也有所区别,显示了高昌工匠的创新。禅僧的禅床则与汉地的独坐榻具有密切的联系,反映了汉文化的影响。
The Tuyoq Buddhist Grottoes are the oldest grottoes in Turfan.Although the sitting utensils in the mural paintings are not many,they reflects the lifestyle and cultural characteristics of ancient Gaochang Kingdom.Taking iconology as the method,this paper attempts to analyze the cultural factors in the Tuyoq Buddhist Grottoes by analyzing the square Buddha seat,Quan Ti,meditation bed and other sitting utensils in the Tuyoq Buddhist Grottoes.Square Buddha seat is same as the Buddha seat in mural paintings in the Kizil Grottoes in terms of styling and decoration.Quan Ti is a sitting utensil before Buddha’s enlightenment,and in the Tuyoq Buddhist Grottoes it is relatively slender and long,while the sitting posture of figures is also different from that in the Kizil Grottoes,which shows the innovation of craftsmen in Gaochang Kingdom.The meditation bed of Zen monk is closely related to the single couch in Han,reflecting the influence of Han culture.
出处
《家具与室内装饰》
北大核心
2022年第4期10-13,共4页
Furniture & Interior Design
基金
教育部人文社会科学研究青年项目(18YJC760120)。
关键词
吐峪沟
坐具
龟兹
汉文化
Tuyoq Buddhist Grottoes
Sitting utensil
Kizil
Han culture
