摘要
本文从民国时期美术起源的英雄史观的瓦解、美术史观由传统伦理本位转移到审美本位、狭隘的民族主义美术史学观的开拓以及发展的美术史观的形成等四个方面进行阐述,力图对民国时期传统美术史观的现代转型做一系统梳理和研究。
The establishment of modern form fine arts history research mainly reflected in fine arts view-points and methods, but by now the research has not deepen, especially there is no research results released. Some valuable viewpoints distribute in papers of different research topic, it is a regret to the research status of fine arts history. This paper try to make a carding research to the modernization of traditional fine arts history viewpoints during the Republic of China, express the opinion from four respects: the heroic view of history of origin of fine arts collapse the fine art history viewpoints shift from ethical standard to aesthetic standard narrow nationalism fine art history viewpoints open up the development fine arts history viewpoints came into being.
出处
《南京艺术学院学报（美术与设计）》
北大核心
2009年第1期60-64,共5页
Journal of Nanjing Arts Institute:Fine Arts & Design
关键词
民国时期
美术史
现代形态
the Republic of China
history of fine arts
modern form
