摘要
将《橘颂》与《弹歌》作一番比较,显示屈原的《橘颂》才真正完成了咏物诗的创格。《弹歌》作为中国现存最早的咏物诗,其咏物意象是物象的再现,《橘颂》则借橘的吟咏,创立了咏物原则和咏物境界,奠定了中国咏物诗的基础。
A comparison between Tangerine Ode and Bamboo Bow Ode shows that only Qu Yuan's Tanger-ine Ode created the standards of object-chanting poetry. As the earliest object-object-chanting poem, Bamboo Bow Ode had some traces of riddle, and its object-chanting image was the representation of object. But Tangerine Ode chanted to express the writer's feelings, so it founded the object-chanting principles and idea, and laid the basis for Chinese object-chanting poetry.
出处
《湘南学院学报》
2005年第1期43-45,54,共4页
Journal of Xiangnan University
关键词
《橘颂》
咏物诗
创格
中国
屈原
物象
意象
境界
Tangerine Ode
Bamboo Bow Ode
object-chanting poetry
creation of characteristics
