In this work,an idea which applies binary alloy nanocrystal floating gate to nonvolatile memory application was introduced.The relationship between binary alloy’s work function and its composition was discussed theor...In this work,an idea which applies binary alloy nanocrystal floating gate to nonvolatile memory application was introduced.The relationship between binary alloy’s work function and its composition was discussed theoretically.A nanocrystal floating gate structure with NiFe nanocrystals embedded in SiO2 dielectric layers was fabricated by magnetron sputtering.The micro-structure and composition deviation of the prepared NiFe nanocrystals were also investigated by TEM and EDS.展开更多
The work-hardening behaviour in an Fe-Mn-Si-Cr-Ni alloy has been investigated using tensile test at different temperatures and TEM observation. It was found that besides the intersection of εmartensite, the intersect...The work-hardening behaviour in an Fe-Mn-Si-Cr-Ni alloy has been investigated using tensile test at different temperatures and TEM observation. It was found that besides the intersection of εmartensite, the intersections of ε martensite with stacking fault and the cross-slip of dislocation which is difficult to occur in the alloy with low stacking fault energy are also important factors to the temperature dependent work-hardening behaviour.展开更多
This essay enacts a dialogue between Francois Girard＇s film The Red Violin （1998） and Jacques Derrida＇s contemplations on ＂memory,＂ ＂spectrality＂ and ＂the work of mourning＂ to envision the possibility of ope...This essay enacts a dialogue between Francois Girard＇s film The Red Violin （1998） and Jacques Derrida＇s contemplations on ＂memory,＂ ＂spectrality＂ and ＂the work of mourning＂ to envision the possibility of opening a hopeful condition of being for those who suffer from loss. In The Red Violin, Girard＇s cinematic experiments apply techniques of montage and of repetitive musical theme, practicing intertextuality of non-chronological stories by paralleling various memories of each individual character, blurring the biological and metaphorical boundaries between the living and non-living, and highlighting the fateful interrelations among time, space and different characters＇ life experiences. In this vein, the memories and beings of both the living and the dead are tightly woven together while reproduced--or further, relived--in temporal, spatial and trans-individual dynamics. Reversing the negative imaginaries of loss and death, both Derrida and The Red Violin agree with a messianic work of mourning by exploring the powerful potentiality of spectrality that manifests a way to mutualize the subject/ other, the living/non-living, into a promised being, thus gesturing towards an infinite future.展开更多
文摘In this work,an idea which applies binary alloy nanocrystal floating gate to nonvolatile memory application was introduced.The relationship between binary alloy’s work function and its composition was discussed theoretically.A nanocrystal floating gate structure with NiFe nanocrystals embedded in SiO2 dielectric layers was fabricated by magnetron sputtering.The micro-structure and composition deviation of the prepared NiFe nanocrystals were also investigated by TEM and EDS.
文摘The work-hardening behaviour in an Fe-Mn-Si-Cr-Ni alloy has been investigated using tensile test at different temperatures and TEM observation. It was found that besides the intersection of εmartensite, the intersections of ε martensite with stacking fault and the cross-slip of dislocation which is difficult to occur in the alloy with low stacking fault energy are also important factors to the temperature dependent work-hardening behaviour.
文摘This essay enacts a dialogue between Francois Girard＇s film The Red Violin （1998） and Jacques Derrida＇s contemplations on ＂memory,＂ ＂spectrality＂ and ＂the work of mourning＂ to envision the possibility of opening a hopeful condition of being for those who suffer from loss. In The Red Violin, Girard＇s cinematic experiments apply techniques of montage and of repetitive musical theme, practicing intertextuality of non-chronological stories by paralleling various memories of each individual character, blurring the biological and metaphorical boundaries between the living and non-living, and highlighting the fateful interrelations among time, space and different characters＇ life experiences. In this vein, the memories and beings of both the living and the dead are tightly woven together while reproduced--or further, relived--in temporal, spatial and trans-individual dynamics. Reversing the negative imaginaries of loss and death, both Derrida and The Red Violin agree with a messianic work of mourning by exploring the powerful potentiality of spectrality that manifests a way to mutualize the subject/ other, the living/non-living, into a promised being, thus gesturing towards an infinite future.
