This essay begins with a reflection on what has been taught in architectural design since the turn of the twentieth century.I shall trace back to the two disciplinary foundations of the FrenchÉcole des Beaux-Arts...This essay begins with a reflection on what has been taught in architectural design since the turn of the twentieth century.I shall trace back to the two disciplinary foundations of the FrenchÉcole des Beaux-Arts-parti and poché-in the education of an architect in the eighteenth and nineteenth centuries.I shall then attempt to superimpose parti and pochéon a modern disciplinary framework,say that of mathematics,which leads to musings on a series of architectural problems that include pattern versus type,stability versus mobility,orthogonal versus oblique,confinement versus transparency,and aging versus metallic sheen.These paradoxes,I suggest,demand the education of an architect to address both the instrumental pattern of a building configuration and the ambient felt qualities of a room,rather than vision alone.展开更多
文摘This essay begins with a reflection on what has been taught in architectural design since the turn of the twentieth century.I shall trace back to the two disciplinary foundations of the FrenchÉcole des Beaux-Arts-parti and poché-in the education of an architect in the eighteenth and nineteenth centuries.I shall then attempt to superimpose parti and pochéon a modern disciplinary framework,say that of mathematics,which leads to musings on a series of architectural problems that include pattern versus type,stability versus mobility,orthogonal versus oblique,confinement versus transparency,and aging versus metallic sheen.These paradoxes,I suggest,demand the education of an architect to address both the instrumental pattern of a building configuration and the ambient felt qualities of a room,rather than vision alone.
