新奴隶叙述以在文本中指涉奴隶制时代以及后奴隶制时代的创伤记忆,重新诠释非裔自身历史,对抗白人历史观、官方话语以及知识权力网络,从而实现族裔身份认同和社群建构。新奴隶叙述文本《爵士乐》将多卡丝构成小说主要人物的"记忆现...新奴隶叙述以在文本中指涉奴隶制时代以及后奴隶制时代的创伤记忆,重新诠释非裔自身历史,对抗白人历史观、官方话语以及知识权力网络,从而实现族裔身份认同和社群建构。新奴隶叙述文本《爵士乐》将多卡丝构成小说主要人物的"记忆现场"(site of memory),以非裔遭受压制、被遗忘以及边缘化的创伤记忆重建自身历史,形成一股对抗白人官方历史的颠覆性力量,最终将集体的历史与文化记忆凝聚为族裔认同,实现美国非裔主体建构。展开更多
Neo-slave narratives avoid being tied to origins by the apronstrings of the past, or being appropriated ahistorically, by a deliberate formal attempt to muddy all notions of origins. Tactics include deliberately misle...Neo-slave narratives avoid being tied to origins by the apronstrings of the past, or being appropriated ahistorically, by a deliberate formal attempt to muddy all notions of origins. Tactics include deliberately misleading intertextuality; ″time-loop paradox″; time travel; anachronism; and the deliberate erasure of the historical record, using the conventions of genre to undermine the assumption that in the globalised marketplace all consumers are equal and all cultures available for consumption.展开更多
文摘新奴隶叙述以在文本中指涉奴隶制时代以及后奴隶制时代的创伤记忆,重新诠释非裔自身历史,对抗白人历史观、官方话语以及知识权力网络,从而实现族裔身份认同和社群建构。新奴隶叙述文本《爵士乐》将多卡丝构成小说主要人物的"记忆现场"(site of memory),以非裔遭受压制、被遗忘以及边缘化的创伤记忆重建自身历史,形成一股对抗白人官方历史的颠覆性力量,最终将集体的历史与文化记忆凝聚为族裔认同,实现美国非裔主体建构。
文摘Neo-slave narratives avoid being tied to origins by the apronstrings of the past, or being appropriated ahistorically, by a deliberate formal attempt to muddy all notions of origins. Tactics include deliberately misleading intertextuality; ″time-loop paradox″; time travel; anachronism; and the deliberate erasure of the historical record, using the conventions of genre to undermine the assumption that in the globalised marketplace all consumers are equal and all cultures available for consumption.
