This paper studies the four-character frame in the subtitle of the documentary Daming Palace, aiming to provide a reference for the translation of the documentary four-character case as well as better spread Chinese c...This paper studies the four-character frame in the subtitle of the documentary Daming Palace, aiming to provide a reference for the translation of the documentary four-character case as well as better spread Chinese culture. By analyzing, researching and summarizing the subtitle of Daming Palace and reading a lot of literature, the author has found that in Daming Palace the four-character frame is characterized by the use of the absolute four-character frames and the recurrence of some four-character frames, and that C-E translation methods of the four-character frame are mainly literal translation, free translation, provincial translation and concise translation.展开更多
Chinese idioms are vivid and meaningful,which are the essence of national language.However,due to the great differences between Chinese and western cultures,the translation of Chinese idioms is an extremely complex ta...Chinese idioms are vivid and meaningful,which are the essence of national language.However,due to the great differences between Chinese and western cultures,the translation of Chinese idioms is an extremely complex task.In view of the importance and complexity of its translation,with the translation of Chinese four-character idioms in Selected Modern Chinese Essays 1 as its theme,the paper aims to investigate the application of different translation methods in C-E translation,and adopts Yan Fu’s theory of“faithfulness,expressiveness,and elegance”to judge the translation effects.Through a summary and study of the form and translation effect of idioms,the paper finds that literal translation is often used for straightforward idioms,while free translation is often used for idioms with an extended meaning,and context should be considered when selecting translation methods.展开更多
This paper,beginning with the two types of four-character structures,illustrates the advantages of four-character structures.The key point lies in the usage of four-character structures in literary E-C translation and...This paper,beginning with the two types of four-character structures,illustrates the advantages of four-character structures.The key point lies in the usage of four-character structures in literary E-C translation and examples are employed to explain the point.At last,this paper puts out the points for attention in using four-character structures in literary E-C translation.展开更多
The scale-invariance behavior has been widely observed in English or other phonetic language texts. In the present study, we examine whether the semantic language, Chinese can also show this behavior. Typically, the s...The scale-invariance behavior has been widely observed in English or other phonetic language texts. In the present study, we examine whether the semantic language, Chinese can also show this behavior. Typically, the scale-invariance behavior is examined in the series of character intervals for the four great Chinese novels by a method of detrended fluctuation analysis. We observe that the scale-invariance behavior characterized by a scaling exponent around 0.60 exists in each novel. Moreover, we divide each novel into three parts with equal number of chapters, and we also observe the existence of scale-invariance in the interval series for each part. Interestingly, we find that there is evident difference in the scaling exponents between the first(or second) part and the third part in the novel of A dream of red mansions, and the difference between parts is not evident for the other three novels. Our observation suggests that there are two writing styles in A dream of red mansions, which are consistent with current prevailing view that the first 80 chapters and the last 40 chapters were accomplished by Xueqin Cao and E Gao, respectively. Our method may shed light on the identification of writing styles in written texts.展开更多
This article attempts to apply skopos theory and make a comparative study of the translation compensation methods of two English versions of Hong Lou Meng in terms of four-character chengyu from the linguistic perspec...This article attempts to apply skopos theory and make a comparative study of the translation compensation methods of two English versions of Hong Lou Meng in terms of four-character chengyu from the linguistic perspective.展开更多
In 1847 William Thackeray started writing of Vanity Fair. The complete Chinese version by Yang Bi published by People＇s Literature Press in 1957 was a great success. From many Chinese version of Vanity Fair, we may f...In 1847 William Thackeray started writing of Vanity Fair. The complete Chinese version by Yang Bi published by People＇s Literature Press in 1957 was a great success. From many Chinese version of Vanity Fair, we may find that Yang Bi＇s translation is a perfect one. It is a best-ever version of all the possible versions that have been and might be produced in the future. Through analyzing Yang Bi＇s version, the choice of words, the use of four-character phrases, colloquial word in conversation, modal particles are the main reasons for the success ofYang Bi＇ s version and it＇ s long-standing popularity.展开更多
Four-character structures in Chinese are commonly discussed as tools of embodying the aesthetic properties of both oral and written literature works.The use of four-character structures in the Chinese translated texts...Four-character structures in Chinese are commonly discussed as tools of embodying the aesthetic properties of both oral and written literature works.The use of four-character structures in the Chinese translated texts could have the same function,and it is not hard to find in the Chinese translations of English literature works that four-character structures are largely adopted.Through collecting four-character structures with er(而)from a translated work of A Passage to India,and investigating on their origins in the source English text,this thesis uses statistic methods to induce some linguistic properties on the counterparts.From the perspective of analyzing those counterparts which correspond to the Chinese four-character structure translations,certain characteristics or properties are discovered,and inspirations on literary translation techniques are provided.Some discussions are also made concerning possible relations between the four-character structures with er(而)and their ST counterparts.展开更多
文摘This paper studies the four-character frame in the subtitle of the documentary Daming Palace, aiming to provide a reference for the translation of the documentary four-character case as well as better spread Chinese culture. By analyzing, researching and summarizing the subtitle of Daming Palace and reading a lot of literature, the author has found that in Daming Palace the four-character frame is characterized by the use of the absolute four-character frames and the recurrence of some four-character frames, and that C-E translation methods of the four-character frame are mainly literal translation, free translation, provincial translation and concise translation.
文摘Chinese idioms are vivid and meaningful,which are the essence of national language.However,due to the great differences between Chinese and western cultures,the translation of Chinese idioms is an extremely complex task.In view of the importance and complexity of its translation,with the translation of Chinese four-character idioms in Selected Modern Chinese Essays 1 as its theme,the paper aims to investigate the application of different translation methods in C-E translation,and adopts Yan Fu’s theory of“faithfulness,expressiveness,and elegance”to judge the translation effects.Through a summary and study of the form and translation effect of idioms,the paper finds that literal translation is often used for straightforward idioms,while free translation is often used for idioms with an extended meaning,and context should be considered when selecting translation methods.
文摘This paper,beginning with the two types of four-character structures,illustrates the advantages of four-character structures.The key point lies in the usage of four-character structures in literary E-C translation and examples are employed to explain the point.At last,this paper puts out the points for attention in using four-character structures in literary E-C translation.
基金Supported by the Innovation and Entrepreneurship Program of Shanghai University of Science and Technology under Grant No.XJ10252127National Natural Science Foundation of China under Grant Nos.11875042 and 11505114
文摘The scale-invariance behavior has been widely observed in English or other phonetic language texts. In the present study, we examine whether the semantic language, Chinese can also show this behavior. Typically, the scale-invariance behavior is examined in the series of character intervals for the four great Chinese novels by a method of detrended fluctuation analysis. We observe that the scale-invariance behavior characterized by a scaling exponent around 0.60 exists in each novel. Moreover, we divide each novel into three parts with equal number of chapters, and we also observe the existence of scale-invariance in the interval series for each part. Interestingly, we find that there is evident difference in the scaling exponents between the first(or second) part and the third part in the novel of A dream of red mansions, and the difference between parts is not evident for the other three novels. Our observation suggests that there are two writing styles in A dream of red mansions, which are consistent with current prevailing view that the first 80 chapters and the last 40 chapters were accomplished by Xueqin Cao and E Gao, respectively. Our method may shed light on the identification of writing styles in written texts.
文摘This article attempts to apply skopos theory and make a comparative study of the translation compensation methods of two English versions of Hong Lou Meng in terms of four-character chengyu from the linguistic perspective.
文摘In 1847 William Thackeray started writing of Vanity Fair. The complete Chinese version by Yang Bi published by People＇s Literature Press in 1957 was a great success. From many Chinese version of Vanity Fair, we may find that Yang Bi＇s translation is a perfect one. It is a best-ever version of all the possible versions that have been and might be produced in the future. Through analyzing Yang Bi＇s version, the choice of words, the use of four-character phrases, colloquial word in conversation, modal particles are the main reasons for the success ofYang Bi＇ s version and it＇ s long-standing popularity.
文摘Four-character structures in Chinese are commonly discussed as tools of embodying the aesthetic properties of both oral and written literature works.The use of four-character structures in the Chinese translated texts could have the same function,and it is not hard to find in the Chinese translations of English literature works that four-character structures are largely adopted.Through collecting four-character structures with er(而)from a translated work of A Passage to India,and investigating on their origins in the source English text,this thesis uses statistic methods to induce some linguistic properties on the counterparts.From the perspective of analyzing those counterparts which correspond to the Chinese four-character structure translations,certain characteristics or properties are discovered,and inspirations on literary translation techniques are provided.Some discussions are also made concerning possible relations between the four-character structures with er(而)and their ST counterparts.
