以戏剧情境论和阐释循环论为思想背景,如果细斟独白词句、还原独白情境、理解独白者整体心灵历程和性格特征,哈姆雷特的那段著名独白"To be,or not to be…"可以翻译为"挺身而出,还是隐忍退缩…"。从全剧整体来看,...以戏剧情境论和阐释循环论为思想背景,如果细斟独白词句、还原独白情境、理解独白者整体心灵历程和性格特征,哈姆雷特的那段著名独白"To be,or not to be…"可以翻译为"挺身而出,还是隐忍退缩…"。从全剧整体来看,哈姆雷特性格中超越性与缺陷性的结合构成了他悲剧性格的内核,并最终导致他的悲剧命运;而将"To be,or not to be…"翻译为"挺身而出,还是隐忍退缩…"恰好能在隐喻的层面上让人感受到哈姆雷特悲剧性格中的超越性和缺陷性。以戏剧情境论和阐释循环论为指导,在翻译时充分考虑到人物所处的情境和人物整体的心灵历程,译出人物的内在生命特征,无疑是一种值得尝试的戏剧翻译方法。展开更多
Hong Lou Meng is one of the four greatest classical novels of China. Since the appearance of the book, more and more people have been interested in it and have begun to study the book from different point of views. Th...Hong Lou Meng is one of the four greatest classical novels of China. Since the appearance of the book, more and more people have been interested in it and have begun to study the book from different point of views. Then a new subject-redology, namely the study of the book- comes out. Hong Lou Meng, as representing the peak of the development in the tranditional chinese realistic novels, has been translated into many languages. Nowdays, there are only two versions of the translation that consists of the whole 120 chapters of the book: one is entitled A Dream of Red Mansions translated by Yang Hsien-yi and his wife Gladys Yang; the one with the title The Story of the Stone is translated by David Hawkes and John Minford.From the view of culture, the book Hong Lou Meng is a great collection of chinese traditional culture, and it reflects the tradition, the religion, the festivals, the tea culture, and the medicine culture and as well as the opera and poem s of chines people. But viewing the translation versions, different people have different translations to the same culture elements. This paper, beginning from this point, makes a first study about the translatiuon subjectivity sense, that leads to this translation differences.展开更多
文摘以戏剧情境论和阐释循环论为思想背景,如果细斟独白词句、还原独白情境、理解独白者整体心灵历程和性格特征,哈姆雷特的那段著名独白"To be,or not to be…"可以翻译为"挺身而出,还是隐忍退缩…"。从全剧整体来看,哈姆雷特性格中超越性与缺陷性的结合构成了他悲剧性格的内核,并最终导致他的悲剧命运;而将"To be,or not to be…"翻译为"挺身而出,还是隐忍退缩…"恰好能在隐喻的层面上让人感受到哈姆雷特悲剧性格中的超越性和缺陷性。以戏剧情境论和阐释循环论为指导,在翻译时充分考虑到人物所处的情境和人物整体的心灵历程,译出人物的内在生命特征,无疑是一种值得尝试的戏剧翻译方法。
文摘Hong Lou Meng is one of the four greatest classical novels of China. Since the appearance of the book, more and more people have been interested in it and have begun to study the book from different point of views. Then a new subject-redology, namely the study of the book- comes out. Hong Lou Meng, as representing the peak of the development in the tranditional chinese realistic novels, has been translated into many languages. Nowdays, there are only two versions of the translation that consists of the whole 120 chapters of the book: one is entitled A Dream of Red Mansions translated by Yang Hsien-yi and his wife Gladys Yang; the one with the title The Story of the Stone is translated by David Hawkes and John Minford.From the view of culture, the book Hong Lou Meng is a great collection of chinese traditional culture, and it reflects the tradition, the religion, the festivals, the tea culture, and the medicine culture and as well as the opera and poem s of chines people. But viewing the translation versions, different people have different translations to the same culture elements. This paper, beginning from this point, makes a first study about the translatiuon subjectivity sense, that leads to this translation differences.