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论田汉战时戏剧思想及成就 被引量:1
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作者 高音 《湖南人文科技学院学报》 2005年第6期76-80,共5页
中华民族在危难的时刻选择了与现实紧密联系的戏剧作为激励民族精神的文化载体。抗战八年,中国的戏剧力量在抗日救亡的旗帜下得以最壮烈的释放。“戏剧与抗战”早已以一种共生的姿态贯穿田汉每一次可圈可点的戏剧活动与艺术实践当中。... 中华民族在危难的时刻选择了与现实紧密联系的戏剧作为激励民族精神的文化载体。抗战八年,中国的戏剧力量在抗日救亡的旗帜下得以最壮烈的释放。“戏剧与抗战”早已以一种共生的姿态贯穿田汉每一次可圈可点的戏剧活动与艺术实践当中。他不只是在民族危难时发出最后吼声的戏剧诗人,更是那个狂飙突进时代的剧坛先锋,当之无愧的梨园领袖。 展开更多
关键词 田汉 戏剧 抗战 先锋 旧剧改革 新歌剧
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The Difficulty of Balancing Art and Life: Examining the Influence of Salome on Tian Han's Early Dramatic Works
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作者 Tao Guan 《Frontiers of Literary Studies in China-Selected Publications from Chinese Universities》 2013年第4期672-689,共18页
Tian Han is well-known for writing realistic and revolutionary works in modem Chinese literature, but his early dramatic works are full of Western aesthetic decadence which values "art is for art's sake." He was st... Tian Han is well-known for writing realistic and revolutionary works in modem Chinese literature, but his early dramatic works are full of Western aesthetic decadence which values "art is for art's sake." He was strongly influenced by Oscar Wilde and his Salome, which can be found from his translating Salome to directing it performed on the Chinese stage, and to his own drama writing in 1920s. He did his best to balance art and life in his dramatic works in order to make them accepted by the masses in China. However, in 1930 he declared in his Self-criticism Directed at Ourselves that he would give up writing the aesthetic and decadent literary works and transfer to "art is for life's sake." The conflict between art and life through his works and theories demonstrates his complex about Salome. 展开更多
关键词 tian hart SALOME ART LIFE aesthetic decadence
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