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Singing Punishment and Redemption in the Taiping Civil War: Yu Zhrs Plays
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作者 Rania Huntington 《Frontiers of History in China》 2018年第2期211-226,共16页
Among the dramatists who depicted the Taiping Civil War, attempting to find meaning in the carnage and chaos, Yu Zhi (1809-74) is unique. He wrote plays during and after the war, so he considers the chaos from two h... Among the dramatists who depicted the Taiping Civil War, attempting to find meaning in the carnage and chaos, Yu Zhi (1809-74) is unique. He wrote plays during and after the war, so he considers the chaos from two historical vantage points. As one of the earliest literati to write plays in the newly popular pihuang form, he addressed different actual and imagined audiences compared to his peers. Although virtually all extant plays take an absolute anti-Taiping stance, his plays differ from his contemporaries' in their focus on morality rather than sentiment, and on edification rather than commemoration. At the root of these differences is an understanding of the nature of evil, redemption, and belief. 展开更多
关键词 taiping civil war Yu Zhi DRAMA didacticism
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多重他者:太平天國戰争時期的身份政治
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作者 金環 《岭南学报》 2020年第1期-,共18页
在太平天國戰争(1851—1864)期間及其結束後,"他者"這一概念被用來煽動與表述暴力,並且在這一過程中獲得了多種意義。本文集中於十九世紀與太平天國相關的話語與表述,來探討"他者"這一概念所藴藏的政治、道德以及... 在太平天國戰争(1851—1864)期間及其結束後,"他者"這一概念被用來煽動與表述暴力,並且在這一過程中獲得了多種意義。本文集中於十九世紀與太平天國相關的話語與表述,來探討"他者"這一概念所藴藏的政治、道德以及文化内涵。首先,通過討論太平天國和清政府的政治宣傳,作者探究這兩個敵對政權如何各自構建其政治敵人。對於太平天國的身份建設而言,宗教與政治敵人的確立尤爲重要。其次,作者關注介於現實與想像之間的筆記小説中處於政治與社會邊緣的人物。這些人物穿越政治邊界,也因此在太平天國與清政府話語中所規定的"我們"與"他者"之外形成了"第三類别"。這些短篇故事中的作者對這些邊緣角色做出道德評價,因而將他們置於另一種與"他者"相關的敘事規範之中。最後,在奇幻與想像的疆域裏,企圖建構與調整政治與道德"他者"的努力被徹底質疑。總體而言,本文以在太平天國戰争之中及其結束後所産生的文學與文化爲對象,探討"他者"這一概念的多義性與有效性。 展开更多
关键词 太平天國戰争 政治話語 身份 第三類别 “自我即他者”
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