“Yeux Glauques,”the sixth poem of Ezra Pound’s 1920 Hugh Selwyn Mauberley,has been read as an indictment of Victorian viewers’and readers’rejection of Pre-Raphaelite art and poetry,a rejection proleptic of Georgi...“Yeux Glauques,”the sixth poem of Ezra Pound’s 1920 Hugh Selwyn Mauberley,has been read as an indictment of Victorian viewers’and readers’rejection of Pre-Raphaelite art and poetry,a rejection proleptic of Georgian readers’rejection of Pound’s own innovations.This is largely accurate.But the poem’s citation(in its first stanza)of John Ruskin’s“Of Kings’Treasuries”can be read as directing readers’attention to Ruskin’s 1864 lecture,in part an exhortation to examine the etymologies of the words of the texts they read.Such an etymological examination of“glauques”in the poem’s title in effect reinforces a secondary implication of the poem as a whole:that the Pre-Raphaelite movement suffered from its members’failure to convincingly or feelingly represent active female subjectivity.展开更多
This paper employs archival documents to research how the Gold Coast colonial government worked with European women medical doctors at preventive health to sustain infant and child welfare clinics.After the First Worl...This paper employs archival documents to research how the Gold Coast colonial government worked with European women medical doctors at preventive health to sustain infant and child welfare clinics.After the First World War,the objective of the colonial government and medical officers was to prevent child mortality and child morbidity.European women medical doctors working with the government and in private practice at infant and child welfare clinics cared for African pregnant women,mothers,and children not older than three years old.European women medical doctors at infant and child welfare clinics educated the community.In 1932,the Great Depression peaked and Percy Selwyn-Clarke in the health service needed to increase funds and staff.Selwyn-Clarke established the Gold Coast Local Branch of the British Red Cross Society to work at the infant and child welfare clinics.展开更多
文摘“Yeux Glauques,”the sixth poem of Ezra Pound’s 1920 Hugh Selwyn Mauberley,has been read as an indictment of Victorian viewers’and readers’rejection of Pre-Raphaelite art and poetry,a rejection proleptic of Georgian readers’rejection of Pound’s own innovations.This is largely accurate.But the poem’s citation(in its first stanza)of John Ruskin’s“Of Kings’Treasuries”can be read as directing readers’attention to Ruskin’s 1864 lecture,in part an exhortation to examine the etymologies of the words of the texts they read.Such an etymological examination of“glauques”in the poem’s title in effect reinforces a secondary implication of the poem as a whole:that the Pre-Raphaelite movement suffered from its members’failure to convincingly or feelingly represent active female subjectivity.
文摘This paper employs archival documents to research how the Gold Coast colonial government worked with European women medical doctors at preventive health to sustain infant and child welfare clinics.After the First World War,the objective of the colonial government and medical officers was to prevent child mortality and child morbidity.European women medical doctors working with the government and in private practice at infant and child welfare clinics cared for African pregnant women,mothers,and children not older than three years old.European women medical doctors at infant and child welfare clinics educated the community.In 1932,the Great Depression peaked and Percy Selwyn-Clarke in the health service needed to increase funds and staff.Selwyn-Clarke established the Gold Coast Local Branch of the British Red Cross Society to work at the infant and child welfare clinics.
