This paper explores the narratives of the Chinese woman novelist Shao-Lin Chu’s trilogy to see how the problem of female sexuality and resistance to parental wedlock tragedy becomes a traumatic experience.The traumat...This paper explores the narratives of the Chinese woman novelist Shao-Lin Chu’s trilogy to see how the problem of female sexuality and resistance to parental wedlock tragedy becomes a traumatic experience.The traumatic symptoms in the narratives are taken as Peircean signs for tracing the negative influences of traumatic experiences on the formation of personal identity and the associated depressive disorder.The scenes portrayed in Chu’s traumatic narratives of female and male sexuality are implications and representations of how sexuality is conceptualized and confined by the traumatic events while backgrounded with regulations and restrictions of a traditional society.The stories of Chu’s female narrators reveal the persistent and resisting feminine power.This paper adopts the concept of feminist narrative to analyze the traumatic and sexual events in Chu’s trilogy.The decoding and re-encoding of resistance and sexuality in the traumatic narratives prove that the narratological textual analysis and semiotic reading strategy together offer a solid approach to the discovery of the persistent traumatic impacts of the secret veiled in the narratives and reveal the probable strength of compassion that has its roots derived from deplorable trauma but later transforms itself to stimulate a positive reconstruction of the traumatic survivors’identity.展开更多
C S 皮尔斯是美国杰出的科学家和逻辑学家。他以科学家作为职业 ,却常常又声称科学研究是为了逻辑目的 ,喜欢把自己塑造为逻辑学家。另一方面 ,他把逻辑学视为科学 ,丰富的科学经历刺激了他在逻辑学领域的诸多创造性贡献。实际上 ,考察...C S 皮尔斯是美国杰出的科学家和逻辑学家。他以科学家作为职业 ,却常常又声称科学研究是为了逻辑目的 ,喜欢把自己塑造为逻辑学家。另一方面 ,他把逻辑学视为科学 ,丰富的科学经历刺激了他在逻辑学领域的诸多创造性贡献。实际上 ,考察他的研究道路为我们从事推理工作的科学家和从事推理研究的逻辑学家都提出了有意义的启示。展开更多
文摘This paper explores the narratives of the Chinese woman novelist Shao-Lin Chu’s trilogy to see how the problem of female sexuality and resistance to parental wedlock tragedy becomes a traumatic experience.The traumatic symptoms in the narratives are taken as Peircean signs for tracing the negative influences of traumatic experiences on the formation of personal identity and the associated depressive disorder.The scenes portrayed in Chu’s traumatic narratives of female and male sexuality are implications and representations of how sexuality is conceptualized and confined by the traumatic events while backgrounded with regulations and restrictions of a traditional society.The stories of Chu’s female narrators reveal the persistent and resisting feminine power.This paper adopts the concept of feminist narrative to analyze the traumatic and sexual events in Chu’s trilogy.The decoding and re-encoding of resistance and sexuality in the traumatic narratives prove that the narratological textual analysis and semiotic reading strategy together offer a solid approach to the discovery of the persistent traumatic impacts of the secret veiled in the narratives and reveal the probable strength of compassion that has its roots derived from deplorable trauma but later transforms itself to stimulate a positive reconstruction of the traumatic survivors’identity.