"Boudoir Lament" is regarded as a distinctive subgenre of classical Chinese poetry.This essay argues that some of Dickinson's poems are replete with the sensibility characteristic of "Boudoir Lament..."Boudoir Lament" is regarded as a distinctive subgenre of classical Chinese poetry.This essay argues that some of Dickinson's poems are replete with the sensibility characteristic of "Boudoir Lament" poetry.The "Boudoir Lament" resonance of her poetry,along with her seclusion and love story,activate Chinese readers' cultural memory to re-imagine her and re-mold her image with the Chinese flavor.Rewriting Dickinson in the way of "Boudoir Lament" is interwoven with the contemporary reconfirmation and reexamination of this emotional pattern.展开更多
This poem is written by Wan Aizhen in 2014 to remark the 120 th anniversary of the First Sino-Japanese War. The poet pursued her doctorate in Indiana University and is teaching Chinese in Purdue University. In the fir...This poem is written by Wan Aizhen in 2014 to remark the 120 th anniversary of the First Sino-Japanese War. The poet pursued her doctorate in Indiana University and is teaching Chinese in Purdue University. In the first half of this poem, the poet gives a brief introduction to the background and the changing circumstance of the war and expresses her resentment towards it. At that memorable time, a Chinese-American poet writing this patriotic poem is very meaningful. This poem, which has not been translated before, contains many traditional Chinese images. In order to make the translation concise and readable, the translator adopts both foreignizing and domesticating methods, and strives to help foreign readers understand the literary images in the original poem as well as the poet's sentiments.展开更多
Chinese poetry has exerted a great influence on American modernist poets,especially on William Carlos Williams(1883-1963).William Carlos Williams’The Widow’s Lament in Springtime shares some connections with Chinese...Chinese poetry has exerted a great influence on American modernist poets,especially on William Carlos Williams(1883-1963).William Carlos Williams’The Widow’s Lament in Springtime shares some connections with Chinese Boudoir poems in theme,image,and technique.This paper tends to discuss the influence of Chinese Boudoir poems on William Carlos Williams based on his creating of The Widow’s Lament in Springtime,which provides a new perspective for studying the communication of Chinese and American poetry.展开更多
Lament of a Northwestern Woman(Qin Fu Yin),composed by Wei Zhuang after the Huangchao uprising,is a long poem that showcases the sufferings of the civilians and embodies the people’s character of the poem,which is th...Lament of a Northwestern Woman(Qin Fu Yin),composed by Wei Zhuang after the Huangchao uprising,is a long poem that showcases the sufferings of the civilians and embodies the people’s character of the poem,which is the profound empathy and compassion of the poet towards the civilians’plight.The poem was written during the reign of Emperor Xizong of the Tang Dynasty in the year Gengmao(883 AD).2023 is also the year Gengmao,so this poem has existed for a remarkable 1140 years.For over a millennium,this long poem remained submerged in history until the opening of the Dunhuang Grottoes at the turn of the 20th century.The deep compassion and commiseration towards the underprivileged masses conveyed in this long poem are reminiscent of Du Fu’s renowned“Three Poems of Separation.”Moreover,it is widely believed that this poem foretells the decline of the Tang Dynasty.展开更多
<正> On the 27th of April of 1981, a larger flare loop prominence appeared above the sunspot group (N 14°;L 149°, which was assigned by the Yunnan Observatory Serial No. 200 or the Boulder SESC Serial ...<正> On the 27th of April of 1981, a larger flare loop prominence appeared above the sunspot group (N 14°;L 149°, which was assigned by the Yunnan Observatory Serial No. 200 or the Boulder SESC Serial No. 3049), on the western solar limb. The maximum height to which the flare loop prominence ascended was more than展开更多
文摘"Boudoir Lament" is regarded as a distinctive subgenre of classical Chinese poetry.This essay argues that some of Dickinson's poems are replete with the sensibility characteristic of "Boudoir Lament" poetry.The "Boudoir Lament" resonance of her poetry,along with her seclusion and love story,activate Chinese readers' cultural memory to re-imagine her and re-mold her image with the Chinese flavor.Rewriting Dickinson in the way of "Boudoir Lament" is interwoven with the contemporary reconfirmation and reexamination of this emotional pattern.
文摘This poem is written by Wan Aizhen in 2014 to remark the 120 th anniversary of the First Sino-Japanese War. The poet pursued her doctorate in Indiana University and is teaching Chinese in Purdue University. In the first half of this poem, the poet gives a brief introduction to the background and the changing circumstance of the war and expresses her resentment towards it. At that memorable time, a Chinese-American poet writing this patriotic poem is very meaningful. This poem, which has not been translated before, contains many traditional Chinese images. In order to make the translation concise and readable, the translator adopts both foreignizing and domesticating methods, and strives to help foreign readers understand the literary images in the original poem as well as the poet's sentiments.
文摘Chinese poetry has exerted a great influence on American modernist poets,especially on William Carlos Williams(1883-1963).William Carlos Williams’The Widow’s Lament in Springtime shares some connections with Chinese Boudoir poems in theme,image,and technique.This paper tends to discuss the influence of Chinese Boudoir poems on William Carlos Williams based on his creating of The Widow’s Lament in Springtime,which provides a new perspective for studying the communication of Chinese and American poetry.
文摘Lament of a Northwestern Woman(Qin Fu Yin),composed by Wei Zhuang after the Huangchao uprising,is a long poem that showcases the sufferings of the civilians and embodies the people’s character of the poem,which is the profound empathy and compassion of the poet towards the civilians’plight.The poem was written during the reign of Emperor Xizong of the Tang Dynasty in the year Gengmao(883 AD).2023 is also the year Gengmao,so this poem has existed for a remarkable 1140 years.For over a millennium,this long poem remained submerged in history until the opening of the Dunhuang Grottoes at the turn of the 20th century.The deep compassion and commiseration towards the underprivileged masses conveyed in this long poem are reminiscent of Du Fu’s renowned“Three Poems of Separation.”Moreover,it is widely believed that this poem foretells the decline of the Tang Dynasty.
文摘<正> On the 27th of April of 1981, a larger flare loop prominence appeared above the sunspot group (N 14°;L 149°, which was assigned by the Yunnan Observatory Serial No. 200 or the Boulder SESC Serial No. 3049), on the western solar limb. The maximum height to which the flare loop prominence ascended was more than
