文章通过旅游解说媒介文献检索,有所创新提出森林公园旅游解说媒介分类;以加拿大班夫国家公园(Banff National Park)和中国张家界国家森林公园为问卷调研地,采用因子分析和方差分析实证检验中西方森林游憩者对森林公园旅游解说媒介分类...文章通过旅游解说媒介文献检索,有所创新提出森林公园旅游解说媒介分类;以加拿大班夫国家公园(Banff National Park)和中国张家界国家森林公园为问卷调研地,采用因子分析和方差分析实证检验中西方森林游憩者对森林公园旅游解说媒介分类的科学性以及分类排序是否存在差异,并运用高低语境文化作为研究中西方森林游憩者选择解说媒介倾向的参照。展开更多
Considering the influence of quadratic gradient term and medium deformation on the seepage equation, a well testing interpretation model for low permeability and deformation dual medium reservoirs was derived and esta...Considering the influence of quadratic gradient term and medium deformation on the seepage equation, a well testing interpretation model for low permeability and deformation dual medium reservoirs was derived and established. The difference method was used to solve the problem, and pressure and pressure derivative double logarithmic curves were drawn to analyze the seepage law. The research results indicate that the influence of starting pressure gradient and medium deformation on the pressure characteristic curve is mainly manifested in the middle and late stages. The larger the value, the more obvious the upward warping of the pressure and pressure derivative curve;the parameter characterizing the dual medium is the crossflow coefficient. The channeling coefficient determines the time and location of the appearance of the “concave”. The smaller the value, the later the appearance of the “concave”, and the more to the right of the “concave”.展开更多
Digital media offer unique opportunities for museums to bring to life the secrets and stories of their historical collections.To bring insight into the process of developing digital media exhibits,this paper presents ...Digital media offer unique opportunities for museums to bring to life the secrets and stories of their historical collections.To bring insight into the process of developing digital media exhibits,this paper presents the perspective of a creative practitioner in approaching technology-and media-based interpretation for collection objects.It follows the Time,Culture and Identity digital workshop held in Beijing in October 2019,which explored and shared ideas about collaborative research and interdisciplinary practice in digital interpretation between academics,institutions,creative practitioners,and developers.Following the direction of the workshop,the paper takes as its focus the clocks and automatons of the imperial collection at the Palace Museum in Beijing.Observations are based on the author’s practice-led experience in running a design studio,Harmonic Kinetic,developing new media exhibits using digital technology and audiovisual media for museums,galleries,and exhibitions in the UK,including the Science Museum,V&A,Barbican,Tate,and the Tower of London.Taking a broad interaction-design-led outlook,the paper explores a personal design perspective for developing interpretive content and considers the particular opportunities and approaches these historical devices suggest.The paper concludes with a final section that reviews the process and reflects on outcomes from the Time,Culture and Identity digital workshop.This explored possibilities for an interpretive exhibit on the Country Scene clock from the Palace Museum collection.展开更多
文摘文章通过旅游解说媒介文献检索,有所创新提出森林公园旅游解说媒介分类;以加拿大班夫国家公园(Banff National Park)和中国张家界国家森林公园为问卷调研地,采用因子分析和方差分析实证检验中西方森林游憩者对森林公园旅游解说媒介分类的科学性以及分类排序是否存在差异,并运用高低语境文化作为研究中西方森林游憩者选择解说媒介倾向的参照。
文摘Considering the influence of quadratic gradient term and medium deformation on the seepage equation, a well testing interpretation model for low permeability and deformation dual medium reservoirs was derived and established. The difference method was used to solve the problem, and pressure and pressure derivative double logarithmic curves were drawn to analyze the seepage law. The research results indicate that the influence of starting pressure gradient and medium deformation on the pressure characteristic curve is mainly manifested in the middle and late stages. The larger the value, the more obvious the upward warping of the pressure and pressure derivative curve;the parameter characterizing the dual medium is the crossflow coefficient. The channeling coefficient determines the time and location of the appearance of the “concave”. The smaller the value, the later the appearance of the “concave”, and the more to the right of the “concave”.
文摘Digital media offer unique opportunities for museums to bring to life the secrets and stories of their historical collections.To bring insight into the process of developing digital media exhibits,this paper presents the perspective of a creative practitioner in approaching technology-and media-based interpretation for collection objects.It follows the Time,Culture and Identity digital workshop held in Beijing in October 2019,which explored and shared ideas about collaborative research and interdisciplinary practice in digital interpretation between academics,institutions,creative practitioners,and developers.Following the direction of the workshop,the paper takes as its focus the clocks and automatons of the imperial collection at the Palace Museum in Beijing.Observations are based on the author’s practice-led experience in running a design studio,Harmonic Kinetic,developing new media exhibits using digital technology and audiovisual media for museums,galleries,and exhibitions in the UK,including the Science Museum,V&A,Barbican,Tate,and the Tower of London.Taking a broad interaction-design-led outlook,the paper explores a personal design perspective for developing interpretive content and considers the particular opportunities and approaches these historical devices suggest.The paper concludes with a final section that reviews the process and reflects on outcomes from the Time,Culture and Identity digital workshop.This explored possibilities for an interpretive exhibit on the Country Scene clock from the Palace Museum collection.
