The geotectonic setting refers to the three-dimensional space and relatedevents based on which a metallogenic system is formed and an ore-forming process takes place. Thispaper discusses the tectonic evolution of the ...The geotectonic setting refers to the three-dimensional space and relatedevents based on which a metallogenic system is formed and an ore-forming process takes place. Thispaper discusses the tectonic evolution of the southwestern margin of the North China paleocontinentand related geotectonic settings in which large or superlarge deposits are formed. Emphasis is puton the geodynamic conditions of the Jinchuan nickel-copper deposit, the Baiyin copper-polymetallicdeposit and the Hanshan gold deposit. It is significant that the three deposits occur together as a'trinity' on the same paleocontinental margin. The Jinchuan nickel-copper deposit was formed duringthe early stage of rifting of the paleocontinental margin; the Baiyin copper-polymetallic depositwas formed during the splitting stage of a continental-margin arc. The continental-margin arcspitting resulted in an 'island arc rift' in the early stage of evolution. The Hanshan gold depositwas formed within the Altun sinistral strike-slip fault system and its provenance is the'intraoceanic arc' volcanic rocks.展开更多
This paper discusses the key role played by the need and selection of receiving culture during the process of translation and acceptance of Han Shan's poems.The translation and acceptance of Han Shan's poems a...This paper discusses the key role played by the need and selection of receiving culture during the process of translation and acceptance of Han Shan's poems.The translation and acceptance of Han Shan's poems are decided by the internal needs of the reception environment.It is an active selection of both the translator himself,and the society as a whole.展开更多
Although we have no clear picture of the life of Hanshan, a legendary TANG monk and in Collected Poems of Hanshan （Hanshan Sho＇i）, we can find either unclear ideas regarding his major thoughts or different ideologi...Although we have no clear picture of the life of Hanshan, a legendary TANG monk and in Collected Poems of Hanshan （Hanshan Sho＇i）, we can find either unclear ideas regarding his major thoughts or different ideologies from Confucianism, Buddhism, and Daoism. Hanshan poetry was broadly read by people belonging to various social statuses during the SONG Dynasty. His poetry was also frequently cited in Chan Buddhist literature of the period. Furthermore, SONG Chan Buddhist monks invited Hanshan into their own genealogy and regarded him as a ＂San Sheng＂ （a Free Sage）. Many Chan Buddhist monks of the SONG Dynasty used Hanshan poetry in various Chan Buddhist texts. Numerous Chan Buddhist monks even wrote so-called ＂ni Hanshan shi＂, which imitated Hanshan poetry as a kind of personal literary creation. It is understandable that when a monk imitated Hanshan poetry, he would simultaneously be both the reader and the creator of Hanshan poetry, and as we understand that every writer produces their works through their own cultural outlook, a newly-formed correlation occurred naturally between the original poetry and imitated poetry through the SONG Chan Buddhist monk＇s version. By observing this correlation, this paper will deeply analyze the dissemination and acceptance of Hanshan poetry, within Chan Buddhist society in the SONG Dynasty, as based on Chan Buddhist literature, in order to learn more about image creation and the recreation of Hanshan during the period展开更多
文摘The geotectonic setting refers to the three-dimensional space and relatedevents based on which a metallogenic system is formed and an ore-forming process takes place. Thispaper discusses the tectonic evolution of the southwestern margin of the North China paleocontinentand related geotectonic settings in which large or superlarge deposits are formed. Emphasis is puton the geodynamic conditions of the Jinchuan nickel-copper deposit, the Baiyin copper-polymetallicdeposit and the Hanshan gold deposit. It is significant that the three deposits occur together as a'trinity' on the same paleocontinental margin. The Jinchuan nickel-copper deposit was formed duringthe early stage of rifting of the paleocontinental margin; the Baiyin copper-polymetallic depositwas formed during the splitting stage of a continental-margin arc. The continental-margin arcspitting resulted in an 'island arc rift' in the early stage of evolution. The Hanshan gold depositwas formed within the Altun sinistral strike-slip fault system and its provenance is the'intraoceanic arc' volcanic rocks.
文摘This paper discusses the key role played by the need and selection of receiving culture during the process of translation and acceptance of Han Shan's poems.The translation and acceptance of Han Shan's poems are decided by the internal needs of the reception environment.It is an active selection of both the translator himself,and the society as a whole.
文摘Although we have no clear picture of the life of Hanshan, a legendary TANG monk and in Collected Poems of Hanshan （Hanshan Sho＇i）, we can find either unclear ideas regarding his major thoughts or different ideologies from Confucianism, Buddhism, and Daoism. Hanshan poetry was broadly read by people belonging to various social statuses during the SONG Dynasty. His poetry was also frequently cited in Chan Buddhist literature of the period. Furthermore, SONG Chan Buddhist monks invited Hanshan into their own genealogy and regarded him as a ＂San Sheng＂ （a Free Sage）. Many Chan Buddhist monks of the SONG Dynasty used Hanshan poetry in various Chan Buddhist texts. Numerous Chan Buddhist monks even wrote so-called ＂ni Hanshan shi＂, which imitated Hanshan poetry as a kind of personal literary creation. It is understandable that when a monk imitated Hanshan poetry, he would simultaneously be both the reader and the creator of Hanshan poetry, and as we understand that every writer produces their works through their own cultural outlook, a newly-formed correlation occurred naturally between the original poetry and imitated poetry through the SONG Chan Buddhist monk＇s version. By observing this correlation, this paper will deeply analyze the dissemination and acceptance of Hanshan poetry, within Chan Buddhist society in the SONG Dynasty, as based on Chan Buddhist literature, in order to learn more about image creation and the recreation of Hanshan during the period
