This essay is twofold： the first part focuses on the interpretation of the concept of Hell in Dante＇s Inferno and Italian culture as depicted in Last Judgment scenes such as Giotto＇s in the Arena Chapel of Padua; S...This essay is twofold： the first part focuses on the interpretation of the concept of Hell in Dante＇s Inferno and Italian culture as depicted in Last Judgment scenes such as Giotto＇s in the Arena Chapel of Padua; Signorelli＇s in the Orvieto Cathedral; and Michelangelo＇s in the Sistine Chapel in Rome. The second part deals with the drawing illustrations for the text of Dante＇s Divine Comedy composed by the Florentine painters Sandro Botticelli, Giovanni Stradano, and Federico Zuccaro. Here the emphasis is on Dante＇s Inferno, which comments upon Neoplatonic personalities, Florentine politics, and current popular art. Comparisons with some of Botticelli＇s, Stradano＇s, and Zuccaro＇s drawing illustrations indicate the assimilation of classical artistic concepts such as Horace＇s ut pictura poesis [as is painting so is poetry] as well as Plato＇sfurorpoeticus [poetical inspiration] promoted in the writings of Marsilio Ficino, a Renaissance Neoplatonic philosopher.展开更多
除了两人皆非音乐世家出身以外,女高音方颖、男中音王云鹏在早期的学习生涯中,没有任何相似之处。方颖出生于宁波,当老师告诉说她的嗓子比较适合美声唱法而非民族时,曾经一度觉得沮丧。她在上海音乐学院毕业后,2010年远赴纽约,在茱莉亚...除了两人皆非音乐世家出身以外,女高音方颖、男中音王云鹏在早期的学习生涯中,没有任何相似之处。方颖出生于宁波,当老师告诉说她的嗓子比较适合美声唱法而非民族时,曾经一度觉得沮丧。她在上海音乐学院毕业后,2010年远赴纽约,在茱莉亚音乐学院攻读。深圳出生的王云鹏首次接触歌剧,是世界三大男高音在电视上的演出。后来他就读中央音乐学院,毕业后于2011年被曼哈顿音乐学院录取,主修歌剧演唱。到了今天,两人都是林德曼青年艺术家发展项目班(Lindemann Young Artist Development Program)展开更多
In this study we present the novel O alegre canto da perdiz （2008）, by Paulina Chiziane, focusing on the path of the characters Delfina and Maria das Dores, pointing to the construction of a female speech denouncing...In this study we present the novel O alegre canto da perdiz （2008）, by Paulina Chiziane, focusing on the path of the characters Delfina and Maria das Dores, pointing to the construction of a female speech denouncing the state to which the Mozambican woman was subjected, especially during colonization, a trauma still present in Africa. By telling the saga of these two women （mother and daughter）, the novel also makes a reinterpretation of the origin and history of the peoples of Africa. Beyond the issues that mark the secular submission of women to the world of man in certain African societies, Paulina Chiziane also leads us to confront the issue of reductionism practiced by those who look from outside Africa and seeks to present its history and its literature as if the African continent were a single country, as reported by the Nigerian novelist Chimamanda Adichie in her speech against ＂the danger of listening and repeating a single story, the winners＇ story＂ （Adichie, 2009）. We aim to identify aspects of the unique feminine of Paulina Chiziane by rescuing legends of matriarchy in the course of the characters. We will also do a reading of colonialism and post-colonialism objectifying the female of writing Paulina Chiziane. The critical placement of the text allows us to analyze it with the contribution of Spivak （2010）, Said （1978）, Bonnici （2000）, among others.展开更多
文摘This essay is twofold： the first part focuses on the interpretation of the concept of Hell in Dante＇s Inferno and Italian culture as depicted in Last Judgment scenes such as Giotto＇s in the Arena Chapel of Padua; Signorelli＇s in the Orvieto Cathedral; and Michelangelo＇s in the Sistine Chapel in Rome. The second part deals with the drawing illustrations for the text of Dante＇s Divine Comedy composed by the Florentine painters Sandro Botticelli, Giovanni Stradano, and Federico Zuccaro. Here the emphasis is on Dante＇s Inferno, which comments upon Neoplatonic personalities, Florentine politics, and current popular art. Comparisons with some of Botticelli＇s, Stradano＇s, and Zuccaro＇s drawing illustrations indicate the assimilation of classical artistic concepts such as Horace＇s ut pictura poesis [as is painting so is poetry] as well as Plato＇sfurorpoeticus [poetical inspiration] promoted in the writings of Marsilio Ficino, a Renaissance Neoplatonic philosopher.
文摘除了两人皆非音乐世家出身以外,女高音方颖、男中音王云鹏在早期的学习生涯中,没有任何相似之处。方颖出生于宁波,当老师告诉说她的嗓子比较适合美声唱法而非民族时,曾经一度觉得沮丧。她在上海音乐学院毕业后,2010年远赴纽约,在茱莉亚音乐学院攻读。深圳出生的王云鹏首次接触歌剧,是世界三大男高音在电视上的演出。后来他就读中央音乐学院,毕业后于2011年被曼哈顿音乐学院录取,主修歌剧演唱。到了今天,两人都是林德曼青年艺术家发展项目班(Lindemann Young Artist Development Program)
文摘In this study we present the novel O alegre canto da perdiz （2008）, by Paulina Chiziane, focusing on the path of the characters Delfina and Maria das Dores, pointing to the construction of a female speech denouncing the state to which the Mozambican woman was subjected, especially during colonization, a trauma still present in Africa. By telling the saga of these two women （mother and daughter）, the novel also makes a reinterpretation of the origin and history of the peoples of Africa. Beyond the issues that mark the secular submission of women to the world of man in certain African societies, Paulina Chiziane also leads us to confront the issue of reductionism practiced by those who look from outside Africa and seeks to present its history and its literature as if the African continent were a single country, as reported by the Nigerian novelist Chimamanda Adichie in her speech against ＂the danger of listening and repeating a single story, the winners＇ story＂ （Adichie, 2009）. We aim to identify aspects of the unique feminine of Paulina Chiziane by rescuing legends of matriarchy in the course of the characters. We will also do a reading of colonialism and post-colonialism objectifying the female of writing Paulina Chiziane. The critical placement of the text allows us to analyze it with the contribution of Spivak （2010）, Said （1978）, Bonnici （2000）, among others.
