A 面对一个多元的艺术世界,曲解和误解已经成为批评的必要性,它“被看作是阅读阐释和文学史的构成活动。”因此,对任何一种阐释都不要太过于用心,即使这种阐释对作家本人攻击性很大。在“文学失却轰动效应以后”,《红蝗》的问世却带来...A 面对一个多元的艺术世界,曲解和误解已经成为批评的必要性,它“被看作是阅读阐释和文学史的构成活动。”因此,对任何一种阐释都不要太过于用心,即使这种阐释对作家本人攻击性很大。在“文学失却轰动效应以后”,《红蝗》的问世却带来了文坛的“微澜”,当然,也有些批评大家在反顾一九八七年的创作时就干脆对它只字不提,这绝不是忽略,而是忌讳着文学描写领域内的一个“禁区”(这决非单纯是内容意义上的指向)。展开更多
This article focuses on culture sociological analysis of Art world. To clarify the issue, the author distinguishes and explores some key concepts in the social institutions of art from inner structure of art to agent ...This article focuses on culture sociological analysis of Art world. To clarify the issue, the author distinguishes and explores some key concepts in the social institutions of art from inner structure of art to agent of art. The author argues that modern art has its game rules related to aesthetic modernity. Therefore, the Art world is one aspect of aesthetic modernity.展开更多
文摘This article focuses on culture sociological analysis of Art world. To clarify the issue, the author distinguishes and explores some key concepts in the social institutions of art from inner structure of art to agent of art. The author argues that modern art has its game rules related to aesthetic modernity. Therefore, the Art world is one aspect of aesthetic modernity.
