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The Dimensions and Perceptual Meaning of Chinese New Year Painting as a Form of Visual Encirclement
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作者 Xiang Yunju Wu Lingwei 《Contemporary Social Sciences》 2017年第2期30-39,共10页
As mankind was one kind of aesthetic species,the visual study of Marxist philosophy has profound enlightenment in understanding the New Year paintings' visual meaning,form,development,cultivation,and features etc.... As mankind was one kind of aesthetic species,the visual study of Marxist philosophy has profound enlightenment in understanding the New Year paintings' visual meaning,form,development,cultivation,and features etc.In essence,Chinese folk New Year paintings is a visual expression,its nature of being pasted at home makes it a visual encirclement for the Chinese people,this vision encirclement in the home space gradually expands,constitutes a spiritual home with different cultural space,living environment,image schema,and secular and religious faith scope,in this visual encirclement,people's home life achieves the satisfaction,peace and self–comfort in diversity.The"childrenization"of New Year paintings reveals a close relationship between the immature of folk art and the original art as human childhood,and from the both aspects of form and content reflects the visual encirclement is actually a kind of siege with cultural significance,this siege has multiple levels in value ideas,historical tradition,ethical order and life knowledge,aesthetic taste and so on,makes us have a new aesthetic anthropology on the New Year paintings. 展开更多
关键词 New Year paintings visual encirclement perceptual meaning
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年画:作为一种视觉包围的层次与感性意义 被引量:1
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作者 向云驹 《中原文化研究》 2017年第1期79-83,共5页
马克思主义哲学的视觉研究对人类作为一种审美物种在认识年画的视觉意义、视觉形式、视觉发展、视觉养成、视觉特征等方面具有深刻的启示。中国民间年画本质上是一种视觉表达,它的居家性使之成为中国人的一种视觉包围,这种视觉包围在居... 马克思主义哲学的视觉研究对人类作为一种审美物种在认识年画的视觉意义、视觉形式、视觉发展、视觉养成、视觉特征等方面具有深刻的启示。中国民间年画本质上是一种视觉表达,它的居家性使之成为中国人的一种视觉包围,这种视觉包围在居家空间逐渐展开,构成一个有不同的文化空间、生活环境、形象图式、俗信范围的精神家园,人们的家居生活在这一视觉包围中获得多向度的满足、多样性的安宁、多元化的自洽。年画的"儿童化"揭示出民间艺术的稚拙性与作为人类童年时代的原始艺术之间的密切关联,并从形式和内容两个方面反映出视觉包围其实是一种文化意义的包围。这种意义包围具有价值观念、历史传统、伦理秩序、生活知识、审美趣味等多重层次,使我们对年画获得一种全新的审美人类学的认识。 展开更多
关键词 年画 视觉包围 感性意义
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