本文通过对安德鲁·洛伊德·韦伯的音乐剧《歌剧魅影》的介绍,以及对其中的咏叹调《The Phantom Of The Opera》和《The music of the night》的本体及其演唱的分析,笔者发现作曲家不仅具有高超的创作技术,而且还具有把爵士、...本文通过对安德鲁·洛伊德·韦伯的音乐剧《歌剧魅影》的介绍,以及对其中的咏叹调《The Phantom Of The Opera》和《The music of the night》的本体及其演唱的分析,笔者发现作曲家不仅具有高超的创作技术,而且还具有把爵士、摇滚等现代流行音乐结合一起的能力,从而使乐曲更富有新鲜感和活力。展开更多
In sleep he sang to me, in dreams he came that voice which calls to me and speaks my name, And do I dream again？ For now I find the Phantom of the Opera is there-inside my mind.无法忘记《歌剧魅影》中Christine前往墓...In sleep he sang to me, in dreams he came that voice which calls to me and speaks my name, And do I dream again？ For now I find the Phantom of the Opera is there-inside my mind.无法忘记《歌剧魅影》中Christine前往墓园时唱的歌。展开更多
This study attempts to construct a comprehensive and multivariate quantitative investigation path of literary style,and verify the applicability of the path with the English text of The Phantom of the Opera.Relevant v...This study attempts to construct a comprehensive and multivariate quantitative investigation path of literary style,and verify the applicability of the path with the English text of The Phantom of the Opera.Relevant variables include text interactivity,pointed clarity,standardized type-token ratio,moving-average type-token ratio,entropy and relative repeat rate.The verified investigation not only supports the applicability of the path,but also establishes the style of The Phantom of the Opera with high colloquialism and small vocabulary change in various aspects.展开更多
Ever since Andrew Lloyd Webber's musical adaptation of The Phantom of the Opera opened on Broadway in 1986,it has stirred audiences with one potent message:it's okay to be different.As the show prepares for it...Ever since Andrew Lloyd Webber's musical adaptation of The Phantom of the Opera opened on Broadway in 1986,it has stirred audiences with one potent message:it's okay to be different.As the show prepares for its tour around Asia,where theatergoers are not middle-aged highbrows but fanatic teens,the centiiry-old tale will once again acquire fresh significance.展开更多
文摘本文通过对安德鲁·洛伊德·韦伯的音乐剧《歌剧魅影》的介绍,以及对其中的咏叹调《The Phantom Of The Opera》和《The music of the night》的本体及其演唱的分析,笔者发现作曲家不仅具有高超的创作技术,而且还具有把爵士、摇滚等现代流行音乐结合一起的能力,从而使乐曲更富有新鲜感和活力。
文摘In sleep he sang to me, in dreams he came that voice which calls to me and speaks my name, And do I dream again？ For now I find the Phantom of the Opera is there-inside my mind.无法忘记《歌剧魅影》中Christine前往墓园时唱的歌。
文摘This study attempts to construct a comprehensive and multivariate quantitative investigation path of literary style,and verify the applicability of the path with the English text of The Phantom of the Opera.Relevant variables include text interactivity,pointed clarity,standardized type-token ratio,moving-average type-token ratio,entropy and relative repeat rate.The verified investigation not only supports the applicability of the path,but also establishes the style of The Phantom of the Opera with high colloquialism and small vocabulary change in various aspects.
文摘Ever since Andrew Lloyd Webber's musical adaptation of The Phantom of the Opera opened on Broadway in 1986,it has stirred audiences with one potent message:it's okay to be different.As the show prepares for its tour around Asia,where theatergoers are not middle-aged highbrows but fanatic teens,the centiiry-old tale will once again acquire fresh significance.
