期刊文献+
共找到3篇文章
< 1 >
每页显示 20 50 100
《影视模型》课程教学改革与探索
1
作者 宋灵香 《兰州文理学院学报(自然科学版)》 2016年第2期116-119,共4页
《影视模型》课程是动漫专业影视模型制作方向培养影视模型师的专业核心课程.在课程的教学过程中要时刻关注社会就业岗位的需求,结合学校的实际情况、人才培养目标和课程自身的特点不断探索、不断改进,构建出一套合理的课程体系、科学... 《影视模型》课程是动漫专业影视模型制作方向培养影视模型师的专业核心课程.在课程的教学过程中要时刻关注社会就业岗位的需求,结合学校的实际情况、人才培养目标和课程自身的特点不断探索、不断改进,构建出一套合理的课程体系、科学的教学方法和完善的教学模式,从而培养出适应市场需求的应用型人才.在教学过程中对《影视模型》课程的教学改革主要从教学内容、教学设计、教学方法、教学模式、考核方式和教材编写等几个方面进行探索和研究. 展开更多
关键词 影视模型 影视道具 影视场景 影视角色 项目驱动教学模式
下载PDF
论影视场景设计对中国酒馆的传承与运用
2
作者 夏梦娇 王凯琳 +1 位作者 杨韬 练顺才 《酿酒科技》 2020年第7期95-98,共4页
场景设计作为影视荧幕呈现的主要方式,在现实主义题材中以真实性、具象性为原则,有效还原历史的样貌和价值。中国酒文化源远流长,用影视传承,除角色和剧情外,场景设计对酒馆环境的提炼和准确运用显得尤为重要。
关键词 酒文化 影视场景 中国酒馆 文化传承
下载PDF
Research on emotion space of film and television scene images based on subjective perception 被引量:2
3
作者 Su Zhibin Qian Yahong +1 位作者 Gu Yu Ren Hui 《The Journal of China Universities of Posts and Telecommunications》 EI CSCD 2019年第1期75-81,104,共8页
The premise of image emotion recognition is to determine its representative emotional adjectives and establish the quantifiable emotion space. In this paper, focusing on aroused emotion from film and television(TV) sc... The premise of image emotion recognition is to determine its representative emotional adjectives and establish the quantifiable emotion space. In this paper, focusing on aroused emotion from film and television(TV) scene images, a method of selecting emotional adjectives and establishing the emotion space based on subjective perception experiment is proposed. Firstly, a special data set about film and TV scene images was established and a set of initial emotional adjectives was collected. Then the subjective perception experiment was designed to let subjects to evaluate the affection of all the initial adjectives during watching these scene images. Then the method of principal basis analysis was used for variable selection. Finally, the factor analysis was applied to accomplish the second dimension reduction to form a 5-dimensional(5 D) orthogonal emotion space. The optimized emotion space can explain more than 94% of original emotional adjectives, which greatly reduces the dimension of emotional adjectives and lays a foundation for the further research on image content and emotion recognition. 展开更多
关键词 film and television scene images SUBJECTIVE PERCEPTION EMOTION space principal basis ANALYSIS factor ANALYSIS
原文传递
上一页 1 下一页 到第
使用帮助 返回顶部