G. B. Shaw names his play Pygmalion by a protagonist in Metamorphoses Book Ten, so that he connects the enlivened ivory statue with the dramatically changed flower girl. Great culture significance was attached to this...G. B. Shaw names his play Pygmalion by a protagonist in Metamorphoses Book Ten, so that he connects the enlivened ivory statue with the dramatically changed flower girl. Great culture significance was attached to this play. At the same time, the originality which is different from the original myth displays the author's effort to explore female self- creation.展开更多
Mrs. Warren's Profession is an excellent drama written by George Bernard Shaw in 1893. However, because of its frank discussion of prostitution, the play was originally banned by the Lord Chamberlain, and it was f...Mrs. Warren's Profession is an excellent drama written by George Bernard Shaw in 1893. However, because of its frank discussion of prostitution, the play was originally banned by the Lord Chamberlain, and it was finally performed in January 1902,at London's New Lyric Club. Previous researchers have studied the play mostly from the perspectives of feminism, ethical literary criticism, and social problem drama in order to explore the new female images in Vivie and praise Vivie's female consciousness.While the study on Shaw's thoughts of Fabian socialism embodied in this play is quite less. Through the analysis of Mrs. Warren's Profession from the perspective of Fabian socialism, the exploitation of the capitalist system to the working people will be exposed, Shaw's thoughts of Fabian socialism will be discussed, so as to fully show that Shaw is concerned about the social reality and women. While the thoughts of Fabian socialism is not radical, so it can't change the bad situation of the workers. Only the revolutionary party can liberate the people at the bottom.展开更多
在中國現代戲劇史中,洪深(1894—1955)是一個不可繞過的關鍵人物:1922年,洪深作爲在哈佛攻讀戲劇碩士的"中國破天荒第一人"從美國留學回國;1928年,洪深作爲"話劇"一詞的發明者,被譽爲"中國話劇的三個奠基人&qu...在中國現代戲劇史中,洪深(1894—1955)是一個不可繞過的關鍵人物:1922年,洪深作爲在哈佛攻讀戲劇碩士的"中國破天荒第一人"從美國留學回國;1928年,洪深作爲"話劇"一詞的發明者,被譽爲"中國話劇的三個奠基人"之一;1935年,洪深爲《中國新文學大系·戲劇集》擔任編者和撰寫導言,其論述對往後中國現代戲劇史的各種書寫影響深遠。然而,有關洪深的討論和研究在比例上一直遠遠落後於他在中國現代戲劇史上的重要地位。本文聚焦於洪深與愛爾蘭劇作家蕭伯納(George Bernard Shaw,1856—1950)的戲劇關係,連繫洪深的上述生平和貢獻,重新梳理洪深如何指引中國現代戲劇在現實主義和劇場性方面的發展。本文爲洪深研究鈎沉原始史料,爲洪深與西方戲劇的關係補充重要一筆,同時梳理蕭伯納於戲劇方面在中國的接受情況。本文首先討論蕭伯納在中國現代戲劇中的位置和接受情況的落差,接著鈎沉整理洪深對蕭伯納的接受和引介,最後通過重讀《從中國的新戲說到話劇》一文,分析洪深如何爲中國現代戲劇的早期發展建立起現實主義和劇場性的論述脈絡。展开更多
文摘G. B. Shaw names his play Pygmalion by a protagonist in Metamorphoses Book Ten, so that he connects the enlivened ivory statue with the dramatically changed flower girl. Great culture significance was attached to this play. At the same time, the originality which is different from the original myth displays the author's effort to explore female self- creation.
文摘Mrs. Warren's Profession is an excellent drama written by George Bernard Shaw in 1893. However, because of its frank discussion of prostitution, the play was originally banned by the Lord Chamberlain, and it was finally performed in January 1902,at London's New Lyric Club. Previous researchers have studied the play mostly from the perspectives of feminism, ethical literary criticism, and social problem drama in order to explore the new female images in Vivie and praise Vivie's female consciousness.While the study on Shaw's thoughts of Fabian socialism embodied in this play is quite less. Through the analysis of Mrs. Warren's Profession from the perspective of Fabian socialism, the exploitation of the capitalist system to the working people will be exposed, Shaw's thoughts of Fabian socialism will be discussed, so as to fully show that Shaw is concerned about the social reality and women. While the thoughts of Fabian socialism is not radical, so it can't change the bad situation of the workers. Only the revolutionary party can liberate the people at the bottom.
文摘在中國現代戲劇史中,洪深(1894—1955)是一個不可繞過的關鍵人物:1922年,洪深作爲在哈佛攻讀戲劇碩士的"中國破天荒第一人"從美國留學回國;1928年,洪深作爲"話劇"一詞的發明者,被譽爲"中國話劇的三個奠基人"之一;1935年,洪深爲《中國新文學大系·戲劇集》擔任編者和撰寫導言,其論述對往後中國現代戲劇史的各種書寫影響深遠。然而,有關洪深的討論和研究在比例上一直遠遠落後於他在中國現代戲劇史上的重要地位。本文聚焦於洪深與愛爾蘭劇作家蕭伯納(George Bernard Shaw,1856—1950)的戲劇關係,連繫洪深的上述生平和貢獻,重新梳理洪深如何指引中國現代戲劇在現實主義和劇場性方面的發展。本文爲洪深研究鈎沉原始史料,爲洪深與西方戲劇的關係補充重要一筆,同時梳理蕭伯納於戲劇方面在中國的接受情況。本文首先討論蕭伯納在中國現代戲劇中的位置和接受情況的落差,接著鈎沉整理洪深對蕭伯納的接受和引介,最後通過重讀《從中國的新戲說到話劇》一文,分析洪深如何爲中國現代戲劇的早期發展建立起現實主義和劇場性的論述脈絡。
