Hans Ulrich Obrist(汉斯·尤利斯·奥布里斯特)访谈问:请具体地谈一谈第二届广州三年展的策展理念——关于“实验室”计划的详细情况?答:从五、六十年代到七十年代,“实验室”是西方艺术的一个十分重要的课题。美术馆、大学、...Hans Ulrich Obrist(汉斯·尤利斯·奥布里斯特)访谈问:请具体地谈一谈第二届广州三年展的策展理念——关于“实验室”计划的详细情况?答:从五、六十年代到七十年代,“实验室”是西方艺术的一个十分重要的课题。美术馆、大学、剧场或其它一些可以利用的地方都被视作一种实验室,而不仅仅是作为一个展示作品的地方来对待。九十年代以来,这个传统得以进一步强化。“实验室”不是简单的形式表现,而是渗透到生活之中的观念和行动的结合,是一种活生生的生活形式,它具有很强的流动性和日常性。这决定了过程的重要性。展览实际上就是一个实验室活动的阶段性展现。这样的话,展览就不光是一个展示的地方,它会引起很多新的活动,使各种事情发生进入到一个运动状态,并激发其他的事件。展览会引发很多艺术家的会面、交流、沟通,促使他们进一步合作,使其活动持续开展。在这样一种情况下,展览成为一个多学科活动的混合体,其中凝聚着很多能量,这种能量使得合作的创新行为更具有活力。展览本身不光是一个展示,更是一种动力,像机器一样能够自我运转和更新。展开更多
IN the 1980s, a number of young inland dwellers took the long journey to Tibet to experience for themselves its mystic beauty. Many of these early adventurers were artists, musicians and writers. Authoress Ma Lihua li...IN the 1980s, a number of young inland dwellers took the long journey to Tibet to experience for themselves its mystic beauty. Many of these early adventurers were artists, musicians and writers. Authoress Ma Lihua lived in Lhasa for nearly 30 years. She says that at that time more artists and writers lived in Lhasa than in any other Chinese city. Artist Cao Yong, who now resides in the U.S., says, 'Tibet is where my life force emerged - the place that showed me the true meaning of life.'展开更多
Artists that have been residing and working at 798 already miss its ambience of tranquil remoteness; opening to the public was purely in the interest of the factory's survival.
文摘IN the 1980s, a number of young inland dwellers took the long journey to Tibet to experience for themselves its mystic beauty. Many of these early adventurers were artists, musicians and writers. Authoress Ma Lihua lived in Lhasa for nearly 30 years. She says that at that time more artists and writers lived in Lhasa than in any other Chinese city. Artist Cao Yong, who now resides in the U.S., says, 'Tibet is where my life force emerged - the place that showed me the true meaning of life.'
文摘Artists that have been residing and working at 798 already miss its ambience of tranquil remoteness; opening to the public was purely in the interest of the factory's survival.
