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Long-term stability of transparent n/p ZnO homojunctions grown by rf-sputtering at room-temperature
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作者 V.Kampylafka A.Kostopoulos +8 位作者 M.modreanu M.Schmidt E.Gagaoudakis K.Tsagaraki V.Kontomitrou G.Konstantinidis G.Deligeorgis G.Kiriakidis E.Aperathitis 《Journal of Materiomics》 SCIE EI 2019年第3期428-435,共8页
ZnO-based n/p homojunctions were fabricated by sputtering from a single zinc nitride target at room temperature on metal or ITO-coated glass and Si substrates.A multi-target rf-sputtering system was used for the growt... ZnO-based n/p homojunctions were fabricated by sputtering from a single zinc nitride target at room temperature on metal or ITO-coated glass and Si substrates.A multi-target rf-sputtering system was used for the growth of all oxide films as multilayers in a single growth run without breaking the vacuum in the growth chamber.The nitrogen-containing films(less than 1.5 at.% of nitrogen)were n-type ZnO when deposited in oxygen-deficient Ar plasma(10%O_(2))and p-type ZnO when deposited in oxygen-rich Ar plasma(50%O_(2)).The all-oxide homojunction ITO/n-ZnO/p-ZnO/ITO/glass was fabricated in a single deposition run and exhibited visible transparency in the range of 75-85%.The n/p ZnO homojunctions,having metallic contacts,formed on conventionally processed substrates showed a fairly unstable behavior concerning the current-voltage characteristics.However,the same homojunctions formed on Si_(3)N_(4)-patterned substrates and stored in atmosphere for a period of five months were stable exhibiting a turn-on voltage of around 1.5 V.The realization of a room temperature sputtered transparent and stable ZnO homojunction paves the way to the realization of all-oxide transparent optoelectronic devices. 展开更多
关键词 ZnO homojunction p-type ZnO Single step sputtering Stability Patterned substrate
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福瑟:写作就是倾听,作者另有其人——约恩·福瑟访谈录
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作者 克里斯蒂娜·莫德雷亚努 约恩·福瑟 王语嫣(译) 《外国文学研究》 北大核心 2024年第2期1-6,共6页
约恩·福瑟在接受克里斯蒂娜·莫德雷亚努采访时,谈到了他对易卜生的复杂感情,并就戏剧创作、戏剧排演、戏剧风格等问题发表了自己的看法。福瑟表示,他十分钦佩易卜生,认为他是个颇具天才的“戏剧魔王”;但他觉得易卜生的戏剧... 约恩·福瑟在接受克里斯蒂娜·莫德雷亚努采访时,谈到了他对易卜生的复杂感情,并就戏剧创作、戏剧排演、戏剧风格等问题发表了自己的看法。福瑟表示,他十分钦佩易卜生,认为他是个颇具天才的“戏剧魔王”;但他觉得易卜生的戏剧里没有爱,没有怜悯,因而对他是敬而不爱。对于戏剧创作,福瑟有他自己比较独特的一套理念。在他看来,写作就是倾听,是一种源自内心或某个他知之甚少的地方的神秘行为,名叫福瑟者只是听到早已被书写的东西并记录下来,作者则另有其人。福瑟认为,戏剧吸引他的是那些难得的、无法用言语表达的心灵感通的瞬间,而那些珍贵的瞬间,使戏剧超越国籍和语言,成为一种通过情感来理解世界的方式。此外,福瑟非常重视戏剧音乐,在他看来,音乐层面的精准和完美适配是其戏剧在多种标准下成功演出的关键。 展开更多
关键词 约恩·福瑟 易卜生 倾听 神秘
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