摘要
数字媒体艺术作为一个快速发展的交叉学科和艺术创新领域,近年来在学术界和教育界引起了广泛关注。从媒介发展的宏观角度探索了数字媒体艺术作为"媒介艺术"延伸的演化历程。借鉴媒体考古学、媒体演化史和麦克卢汉、鲍德里亚等人的观点,认为媒介理论和符号学应该是理解和构建数字媒体艺术理论的钥匙。在此基础上结合逻辑分类与信息视觉化的方法,提出了一个数字媒体艺术作为媒介产品的学科框架与应用领域的模型。同时指出,将语言学、符号学理论引入数字媒体艺术研究不仅有利于明确该学科在科学知识体系中的地位,而且对于该专业的人才培养具有重要意义。
Digital media art,as a rapidly developing field of interdisciplinary and artistic innovation,has attracted educators＇ and researchers＇ great attention in recent years.In this paper,the author explores the evolutionary history of digital media arts as a ＂media art＂ extension.By referring to media archeology,media evolutionary history and the opinions of McLuhan,Baudrillard and others,the author believes that media theory and semiotics are the key to understanding and building up digital media art theory.By combining the methods of logic classification and information visualization,the author proposes a theory and practical framework of digital media art as the media products.Furthermore,the author indicates that it＇s very important to explore the nature of digital media art based on the linguistics and semiotics,which is not only beneficial to the construction of scientific knowledge but also has a great meaning for the training of professional students.
出处
《北京邮电大学学报（社会科学版）》
2011年第2期1-4,20,共5页
Journal of Beijing University of Posts and Telecommunications(Social Sciences Edition)
