摘要
四川清音是四川具有代表性的一种曲艺音乐形式。在长时间的发展及广泛流传过程中,大量的艺人参与到四川清音的创作及改良,使它不断得到锤炼,最终成为一种有着成熟而完善的音乐结构体制的曲牌体曲艺音乐表演形式。通过对清音核心曲牌【背工调】的各种使用形态进行分析,以期厘清与总结清音【背工调】的各种使用形态,同时以点带面地使大家对四川清音乃至整个曲牌体音乐的结构形式、使用形式有较为明晰的了解。
Sichuan Qingyin is a representative local folk art in Sichuan province. With long-years of considerable efforts and hard work of many artists, it has developed into a Qupai style performing art with a well-established music system. The various forms of Beigong tune of Qinyin and its usages are analyzed in the article so as to make clear the forms of the tune and make known the structure of Sichuan Qinyin and even the whole Qupai style music.
出处
《音乐探索》
2018年第2期55-60,共6页
Explorations in Music
