摘要
《哈姆莱特》是戏剧史上的一颗明珠,夸张修辞是其修辞的点睛之笔。国内对《哈姆莱特》的夸张修辞研究尚少。考察《哈姆莱特》中夸张修辞的使用情况,对比分析朱生豪、梁实秋、孙大雨和卞之琳四个译本对夸张修辞所涉及的名词、形容词、量词、否定词以及排比句式的处理,探讨夸张修辞的翻译策略。直译或意译夸张修辞均需在充分理解修辞文化差异的基础上,对细节做恰到好处的处理,才能形成佳译。四个中译本各有千秋,其中又以卞译夸张最优,形神兼备。
Hamlet, one of the greatest tragedies of Shakespeare, is a shining star in the drama literary world. Hyperbole, as a figure of exaggeration, is an important figure of Shakespeare’s rhetorical devices. However, the study of hyperbole in Hamlet has not been paid much attention to by the scholars in China. This paper studies the use of hyperbole in Hamlet, analyzes the translation referring to nouns, adjectives, quantifiers, negative words and parallelism in the hyperbole of corresponding Chinese translation versions of Zhu Shenghao, Liang Shiqiu, Sun Dayu and Bian Zhilin, to discuss the translators’ translation characteristics. The translation of Bian Zhilin is the best among the four outstanding versions. To create good translation of hyperbole, be it literal or free, one needs to get full knowledge of the rhetorical differences between China and west, and seek the best way to balance and express them.
出处
《外语艺术教育研究》
2016年第2期5-11,共7页
Educational Research on Foreign Languages and Arts
