摘要
本文通过对日本近代著名作家泉镜花的短篇小说《外科手术室》中反讽叙事的考察,探讨一种值得关注的文体创作。《外科手术室》将小说世界里的"美"反讽为"矫情"与"表演",以此揭示"美"的相对性和伪善性;将"爱"描画为实质上的"逃离",实现了对"爱"的反讽叙事。该小说通过对"美"与"爱"两个层面的本质性反讽书写,构建了一个精妙的反讽时空体系,实现了对文本表层浪漫主义叙事的超越。
Based on the observation and study of the use of irony narrative by modern Japanese writer Izumi Kyoka in his early novel Gekashitu, this paper discusses a noticeable writing style. 'Beauty ' is interpreted as 'pretentiousness ' and 'show ' in the novel,so that the hypocrisy and relativity of'beauty'are revealed; 'love'is described as intrinsic 'evasion',thus realizing the irony narrative of'love'. Through the ironic description of 'beauty'and 'love',the novel constructs a precise spacetime structure of irony,and brings about the transcendence of romantic writing.
出处
《国外文学》
CSSCI
北大核心
2015年第3期147-153,160,共7页
Foreign Literatures
基金
国家社会科学基金项目"中上健次小说创作研究"(项目号:13BWW022)的阶段性成果
