摘要
历史上文学的等级与趣味发生过许多变化,对于个体来说,传统趣味不可能断然割舍,具有延续性。近代以来为民间与下层所喜爱的文体与趣味借助政治进入文学体系的中心地位。在20世纪的现实政治语境中,由毛泽东的《在延安文艺座谈会上的讲话》揭橥的当代文学创作原则更是强调工农大众趣味,批判"小资趣味"、"小市民趣味",文学也出现新的美学特征。
Many changes of/iterary hierarchy and taste have taken p/ace in the process of h/story. But individual taste possesses its traditional continuity, which can not be radically abandoned. The style and taste catered by the folk and common people became the center of literary system, taking the advantages of politics in modem times. Man Zedong put forward the principle of contemporary literature in The Speech in the Yan＇ an Forum on Literature. He advocated the taste of workers and peasants, while criticized the taste of petty bourgeoisie. Then, new aesthetic features appeared in the 20th century literature.
出处
《西华大学学报（哲学社会科学版）》
2010年第2期69-72,共4页
Journal of Xihua University(Philosophy & Social Sciences)
关键词
文学趣味
工农大众
政治
美学特征
literary taste
workers and peasants
politics
aesthetic characteristics
