摘要
当理性变成了彻底的非理性,非理性便成为评判理性和真理的手段。后现代主义荒诞戏剧《等待戈多》运用反人物、反语言、反情节等手段,表现了西方现实生活的冷酷和荒凉。作者希望通过作品警示人们所处的时代。绝望并不是随着戏剧的结束就结束的一种表达,也不是一种目的。戈多是希望的象征,希望人们心中的"戈多"真的存在,并真的会来临。
Irrationality has once again become the effective way to judge rationality and truth when rationality changes into absolute irrationality. The grim and lonely life in modern western countries has been reflected in the absurd theatre Waiting for Godot by virtue of the writing styles such as anti-personnel, anti-language, anti-plot, etc. The author hopes to warn people of the age they live in and cause reflections among them. Desperation in reality will not disappear with-the end of the drama, nor will it work as a purpose to frighten people. It is hoped that Godot, who represents hope, lives in people＇s hearts and will come some day.
出处
《江苏科技大学学报（社会科学版）》
2009年第3期79-84,共6页
Journal of Jiangsu University of Science and Technology(Social Science Edition)
关键词
理性
非理性
《等待戈多》
后现代主义
rationality
irrationality
Waiting for Godot
Postmodernism
