摘要
"音乐美学"这一名称自西方学者提出后,在我国经历了几个不同的阶段,并在音乐美学发展中取得了长足的进展,但同时对于涉及音乐本体方面的问题也存在着很大的分歧和争议。文章对此进行了简要的梳理,由此也提出了对音乐美学学科的几点展望。
Since Western scholars proposed the term ＂music aesthetics＂ , it developed several stages in China. Along with the great development, there are also different voices concerning the nature of music. The paper combed those ideas and proposed some expectations of the discipline.
出处
《哈尔滨学院学报》
2008年第6期135-137,共3页
Journal of Harbin University
关键词
音乐美学
音乐美学学科
音乐的自律与他律
Music aesthetics
music aesthetics as a discipline
the autonomy and heteronomy of music
