摘要
当代美学的本体其实远离了真正的本体――“存在”。海德格尔美学启示我们应以人的生活存在为本体。生活世界是生活存在的舞台。实践和语言则是生活存在的两种本质方式。生活世界的根基、宇宙生命的终极情怀和美学的智慧之维,将是“生活存在美学”优于其他美学的新视域。
Contemporary aesthetics is far away from the real subject of Being, or noumenon. We should look on human life existence as another noumenon, which is enlightened to us by Heidegger＇s aesthetics, The world of life is the stage of human life existence, while practice and language are two essential ways to express human life existence. ＂Life Existence Aesthetics＂ tends to have at least three new perspectives prior to other kinds of aesthetics, i.e., the root of the human life world, ultimate attention to universal life and the wisdom dimension of aesthetics.
出处
《北京理工大学学报（社会科学版）》
2006年第1期102-106,共5页
Journal of Beijing Institute of Technology：Social Sciences Edition
