摘要
新疆阿勒泰地区哈萨克族毡房是中华草原民居代表之一,堪称为新疆北疆地区草原民居及其装饰的代表。因此选取2015年以来对哈萨克族毡房调研的3例个案,阐述中国新疆北疆地区游牧民生计方式转型和定居后,哈萨克族毡房及其装饰艺术发展历程及现状,分析围绕着毡房及其装饰艺术的手艺人、民间艺术从业者的人生际遇及其价值观念、情绪情感展开;同时,关注乡村振兴和文旅融合背景下,以毡房为代表的新疆阿勒泰地区草原民居及其装饰艺术从遗产到资源再到资本的转换路径。
The Kazakh yurt in the Altay area of Xinjiang is one of the representatives of the Chinese grassland dwellings,and it can be called the representative of the grassland dwellings and their decorations in the northern Xinjiang area.Therefore,we selected 3 case studies of Kazakh yurts since 2015 to explain the development process and current situation of Kazak yurts and their decorative arts after the transformation and settlement of the nomads’livelihoods in northern Xinjiang,China.The analysis revolves around the yurt and its decorative art craftsman,the folk art practitioner’s life chance encounter and the value idea,the emotion emotion unfolds;at the same time,pay attention to the background of rural revitalization and cultural and tourism integration,and the grassland dwellings and their decorative arts in Altay area of Xinjiang represented by yurts from heritage to resources Conversion path to capital.
出处
《创意设计源》
2021年第1期52-55,共4页
Idea & Design
基金
2018年度国家社会科学基金项目“新疆北疆地区特需产品花毡的保护、传承与发展研究”(项目编号:18BMZ064)阶段性成果
关键词
草原民居
游牧文化
遗产
资源
资本
grassland dwellings
nomadic culture
heritage
resources
capital
