摘要
作为“大同市已发掘的50余座辽墓中规模最大、内涵最为丰富的一座”②,许从赟夫妇墓呈现出晋北地区砖仿木壁画墓的最高工艺水平。本文以该例中各类组件“模仿木构程度的差异性”为切入点,围绕其实现机制与空间意涵展开讨论,并试图从砖件拼接逻辑与比例限定的角度考察其仿木意图的践行方式,以期在一定程度上探索工匠的设计思维并复现营建过程,从而以建筑学的视野架构起对该例中仿木现象的整体认识。
As the most representative case of fresco tomb with wood-imitation appearance in Liao dynasty,the tomb of XU Congyun and his wife has long been renowned for its superb handicraft.From the point on he differences of wood-imitation extent between various components,this article discusses the realization mechanism and spatial implication of the case.Furthermore,the way to achieve the wood-imitation effect also being explored from the perspective of brick's masonry splicing and the limit of outline's aspect ratio,thus the design and construction process can be revealed to some degree.
作者
喻梦哲
张学伟
YU Mengzhe;ZHANG Xuewei
出处
《建筑史》
2021年第1期41-54,共14页
基金
教育部人文社科基金项目“唐宋砖石墓葬及塔幢的仿木技术与设计方法研究”(项目批准号:20XJCZH014)成果
关键词
辽代许从赟夫妇墓
仿木现象
空间意涵
实现机制
Mural tomb of XU Congyun and his wife
wood-imitation phenomenon
spatial implication
realization mechanism
