摘要
作为人文历史纪录片的重要表现形式,城市纪录片将本雅明的“城市漫游”进一步发展为“城市媒介漫游”,并成为当下构建城市文化记忆的重要途径。本文以纪录片《津门往事》的叙事策略为研究对象,重点从城市光影、城市历史及城市角色三个视角,叙事语言、叙事影像、叙事视角、叙事结构、叙事主体及叙事意义六个方面对本片家国历史的城市书写实践进行解析和考察,一方面基于文本自身探讨其叙事手段的创新性,另一方面则在文本之上关注其对于中国城市现代化的关照和隐喻,从城市中的物质性存在、人民及精神价值归纳其理论及现实意义。
As an important form of humanistic and historical documentary,urban documentary further develops Benjamin's“urban strolling”into“media urban media strolling”,and becomes an important way to build the memory of urban culture at present.This article takes the narrative strategy of Tianjin:Memories of a Bygone Era as the research object,and focuses on analyzing and examining the urban writing practice of the family-country history from three perspectives:urban light and shadow,urban history,and urban roles,as well as six aspects:narrative language,narrative image,narrative perspective,narrative structure,narrative subject,and narrative significance.On the one hand,based on the text itself,this article explores the innovation of the narrative methods;on the other hand,it focuses on its consideration and metaphor of the modernization of Chinese cities,summarizing the theoretical and practical significance from the material existence,people,and spiritual values in cities.
出处
《云南艺术学院学报》
2023年第2期66-70,共5页
Journal of Yunnan Arts University
基金
2018年上海市哲学社会科学规划项目“上海建设卓越的全球城市的跨文化战略研究”(项目编号:2018BCK009)阶段性成果
关键词
《津门往事》
城市纪录片
城市媒介漫游
叙事策略
人民城市
Tianjin:Memories of a Bygone Era
urban documentary
urban media strolling
narrative strategy
people cities
